{"id":3989,"date":"2022-10-09T17:58:19","date_gmt":"2022-10-09T15:58:19","guid":{"rendered":"http:\/\/www.lalogetheleme.fr\/demo\/?p=3989"},"modified":"2022-10-13T14:06:44","modified_gmt":"2022-10-13T12:06:44","slug":"johnny_lebigot","status":"publish","type":"post","link":"https:\/\/www.lascenetheleme.fr\/en\/johnny_lebigot\/","title":{"rendered":"Carte Blanche to Johnny Lebigot"},"content":{"rendered":"\r\n\r\nFor the decor, La Sc\u00e8ne Th\u00e9l\u00e8me gave carte blanche to visual artist Johnny Lebigot. Suspended from the walls and from the ceilings \u2026 discover the enchanting universe imagined by this engaging contemporary artist. Inspired by the pure, airy cuisine of Yoshitaka Takayanagi, Lebigot presents a series of fascinating, spider-like installations.\r\n\r\n\r\n\r\n\r\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\r\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/www.lascenetheleme.fr\/wp-content\/uploads\/2022\/10\/johnnylebigot-photo1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"2400\" height=\"1500\" data-id=\"3994\" class=\"wp-image-3994\" src=\"http:\/\/www.lascenetheleme.fr\/wp-content\/uploads\/2022\/10\/johnnylebigot-photo1.jpg\" alt=\"\" srcset=\"https:\/\/www.lascenetheleme.fr\/wp-content\/uploads\/2022\/10\/johnnylebigot-photo1.jpg 2400w, https:\/\/www.lascenetheleme.fr\/wp-content\/uploads\/2022\/10\/johnnylebigot-photo1-300x188.jpg 300w, https:\/\/www.lascenetheleme.fr\/wp-content\/uploads\/2022\/10\/johnnylebigot-photo1-1024x640.jpg 1024w, https:\/\/www.lascenetheleme.fr\/wp-content\/uploads\/2022\/10\/johnnylebigot-photo1-768x480.jpg 768w, https:\/\/www.lascenetheleme.fr\/wp-content\/uploads\/2022\/10\/johnnylebigot-photo1-1536x960.jpg 1536w, https:\/\/www.lascenetheleme.fr\/wp-content\/uploads\/2022\/10\/johnnylebigot-photo1-2048x1280.jpg 2048w\" sizes=\"auto, (max-width: 2400px) 100vw, 2400px\" \/><\/a>\r\n<figcaption>Johnny Lebigot &#8211; \u00a9 Laurent Stencel<\/figcaption><\/figure>\r\n\r\n\r\n\r\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/www.lascenetheleme.fr\/wp-content\/uploads\/2022\/10\/johnnylebigot-photo2.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"2400\" height=\"1500\" data-id=\"3993\" class=\"wp-image-3993\" src=\"http:\/\/www.lascenetheleme.fr\/wp-content\/uploads\/2022\/10\/johnnylebigot-photo2.jpg\" alt=\"\" srcset=\"https:\/\/www.lascenetheleme.fr\/wp-content\/uploads\/2022\/10\/johnnylebigot-photo2.jpg 2400w, https:\/\/www.lascenetheleme.fr\/wp-content\/uploads\/2022\/10\/johnnylebigot-photo2-300x188.jpg 300w, https:\/\/www.lascenetheleme.fr\/wp-content\/uploads\/2022\/10\/johnnylebigot-photo2-1024x640.jpg 1024w, https:\/\/www.lascenetheleme.fr\/wp-content\/uploads\/2022\/10\/johnnylebigot-photo2-768x480.jpg 768w, https:\/\/www.lascenetheleme.fr\/wp-content\/uploads\/2022\/10\/johnnylebigot-photo2-1536x960.jpg 1536w, https:\/\/www.lascenetheleme.fr\/wp-content\/uploads\/2022\/10\/johnnylebigot-photo2-2048x1280.jpg 2048w\" sizes=\"auto, (max-width: 2400px) 100vw, 2400px\" \/><\/a>\r\n<figcaption>Johnny Lebigot &#8211; \u00a9 Laurent Stencel<\/figcaption><\/figure>\r\n\r\n\r\n\r\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/www.lascenetheleme.fr\/wp-content\/uploads\/2022\/10\/johnnylebigot-photo3.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"2400\" height=\"1500\" data-id=\"3992\" class=\"wp-image-3992\" src=\"http:\/\/www.lascenetheleme.fr\/wp-content\/uploads\/2022\/10\/johnnylebigot-photo3.jpg\" alt=\"\" srcset=\"https:\/\/www.lascenetheleme.fr\/wp-content\/uploads\/2022\/10\/johnnylebigot-photo3.jpg 2400w, https:\/\/www.lascenetheleme.fr\/wp-content\/uploads\/2022\/10\/johnnylebigot-photo3-300x188.jpg 300w, https:\/\/www.lascenetheleme.fr\/wp-content\/uploads\/2022\/10\/johnnylebigot-photo3-1024x640.jpg 1024w, https:\/\/www.lascenetheleme.fr\/wp-content\/uploads\/2022\/10\/johnnylebigot-photo3-768x480.jpg 768w, https:\/\/www.lascenetheleme.fr\/wp-content\/uploads\/2022\/10\/johnnylebigot-photo3-1536x960.jpg 1536w, https:\/\/www.lascenetheleme.fr\/wp-content\/uploads\/2022\/10\/johnnylebigot-photo3-2048x1280.jpg 2048w\" sizes=\"auto, (max-width: 2400px) 100vw, 2400px\" \/><\/a>\r\n<figcaption>Johnny Lebigot &#8211; \u00a9 Le Photographe du Dimanche<\/figcaption><\/figure>\r\n\r\n\r\n\r\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/www.lascenetheleme.fr\/wp-content\/uploads\/2022\/10\/johnnylebigot-photo4.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"2400\" height=\"1500\" data-id=\"3991\" class=\"wp-image-3991\" src=\"http:\/\/www.lascenetheleme.fr\/wp-content\/uploads\/2022\/10\/johnnylebigot-photo4.jpg\" alt=\"\" srcset=\"https:\/\/www.lascenetheleme.fr\/wp-content\/uploads\/2022\/10\/johnnylebigot-photo4.jpg 2400w, https:\/\/www.lascenetheleme.fr\/wp-content\/uploads\/2022\/10\/johnnylebigot-photo4-300x188.jpg 300w, https:\/\/www.lascenetheleme.fr\/wp-content\/uploads\/2022\/10\/johnnylebigot-photo4-1024x640.jpg 1024w, https:\/\/www.lascenetheleme.fr\/wp-content\/uploads\/2022\/10\/johnnylebigot-photo4-768x480.jpg 768w, https:\/\/www.lascenetheleme.fr\/wp-content\/uploads\/2022\/10\/johnnylebigot-photo4-1536x960.jpg 1536w, https:\/\/www.lascenetheleme.fr\/wp-content\/uploads\/2022\/10\/johnnylebigot-photo4-2048x1280.jpg 2048w\" sizes=\"auto, (max-width: 2400px) 100vw, 2400px\" \/><\/a>\r\n<figcaption>Johnny Lebigot &#8211; \u00a9 Le Photographe du Dimanche<\/figcaption><\/figure>\r\n<\/figure>\r\n\r\n\r\n\r\n<h2 class=\"wp-block-heading\"><strong>\u2013 Through the Seasons<\/strong><\/h2>\r\n\r\n\r\n\r\n\r\nSeasonal encounters are at the center of Johnny Lebigot&#8217;s exhibitions and installations. At La Sc\u00e8ne Th\u00e9l\u00e8me, his creations return to the botanic realm with Corine Miret, actress, and Isabelle Duthoit, clarinetist, with whom he presented Khady Demba, one of Marie N&#8217;Diaye&#8217;s &#8220;Three Powerful Women.\u201d\r\n\r\n\r\n\r\n\r\n\r\nFor it, he had drawn \u201ca polysemic landscape with coves for travel, ramifications to probe the heavens, shadows cast to dive\u2026\u201d He had hung up a few hollyhocks, in memory of those flowers that rise up and brave the sun and the wind. \u201cThe petals trembled with the breaths of his companions and reminded us of the patterns of clouds when they come alive in the heart of distant markets\u2026\u201d It was an installation that let the spectator wander, without circumscribing the action.\r\n\r\n\r\n\r\n\r\n\r\nWhen in December 2019 Jean-Marie Gurn\u00e9 and Yoshitaka Takayanagi approached to him to provide La Sc\u00e8ne Th\u00e9l\u00e8me with its decor, Lebigot sought a symbiotic connection with Yoshitaka&#8217;s cuisine by creating emphasis over decoration \u2014 a variation, a gesture in suspension, quick to transform over the seasons and able to fade away.\r\n\r\n\r\n\r\n\r\n<h2 class=\"wp-block-heading\"><strong>\u2013Biography of the Artist<\/strong><\/h2>\r\n\r\n\r\n\r\n\r\n\u201cBorn in Normandy, in the Mont Saint-Michel region, Johnny Lebigot studied literature in Caen at the end of the \u201890s. During that time, he wrote and collected plants and even went so far as to combine these two practices in \u201cBrins of History,\u201d an unpublished tale which was woven from grass. At the age of 23, in conjunction with his sculpture work, this French chanson enthusiast went on to become a Cultural Programmer in Stains, where he developed works around improvised music and devoted a place for exhibitions. In 2003, he joined the team of the Th\u00e9\u00e2tre L&#8217;\u00c9changeur in Bagnole, of which he is currently Co-Director, and initiated with R\u00e9gis Hebette a program around innovative forms. In 2005, at the invitation of a painter friend and film decorator who was moved by his astonishing collection, Johnny Lebigot imagined his first table entitled \u201cLa Nature et l&#8217;absence.\u201d Since then, his work has seen multiple exhibitions (about 15 to date) and in many disciplines: sculpture, installation, and performance. His poetic works are centered on a search for forms and on the confusion of kingdoms.\u201d\r\n(Extract from the Festival D\u2019Avignon website. Complete article: https:\/\/festival-avignon.com\/fr\/artistes\/johnny-lebigot-9085)\r\n\r\n","protected":false},"excerpt":{"rendered":"<p>Inspired by the pure, airy cuisine of Yoshitaka Takayanagi, sculptor Johnny Lebigot presents a series of fascinating, spider-like installations.<\/p>\n","protected":false},"author":1,"featured_media":3997,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[],"class_list":["post-3989","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Carte Blanche to Johnny Lebigot<\/title>\n<meta name=\"description\" content=\"Inspired by the pure, airy cuisine of Yoshitaka Takayanagi, sculptor Johnny Lebigot presents a series of fascinating, spider-like installations.\" 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